GameInformer shuts down
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    Sad to see it go. I was a subscriber to print for a time around the mid-to-late aughts and more recently have had them in my RSS feed.

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  • A small games manifesto
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    I have started to notice that a lot, if not the majority, of games that make the biggest social splashes in the past couple years are smaller games - with exceptions for titles like Baldur's Gate 3 and Alan Wake 2 which are their own labors of love on a AAA scale. Animal Well, Balatro, Dredge, Vampire Survivors, Talos Principle 2, Hi-Fi Rush...these are the games I tend to hear about the most.

    The attention that a lot of AAA games get seems shallow and short-lived lately.

    One of the things that's excited me most recently is seeing new and inventive ways to use graphics and fidelity besides photorealism. Games like Gris and The Artful Escape are probably the most stunningly beautiful games I've ever played.

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  • Weekly “What are you playing” Thread || Week of July 28th
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    For how little cultural impact The Darkness had in the long term, I remember it being very hotly anticipated before release. I think I made myself believe I liked it more than I actually did, but it was a really ambitious and interesting title all the same.

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  • Pacific Drive sales cruise past 600K copies sold
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    Ha, that's funny, that's the exact opposite of me. But games are my downtime, and socializing is work (for me), so I am almost exclusively single-player.

    Shame about Pacific Drive, but I get it. There is a ton of repetition.

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  • Pacific Drive sales cruise past 600K copies sold
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    For me, the fun comes, like in some other crafting games (e.g., Subnautica) and roguelikes, from chasing the next upgrades, enjoying the sense of empowerment they bring, and getting to explore new areas.

    For that reason, I love the idea of survival crafting games, but I hate the sandbox, perpetual loop format most of them come in (like No Man's Sky). Subnautica is the gold standard (with Dysmantle being a surprise second place) of having a finite, focused progression path. Pacific Drive scratches that itch.

    Although, I will admit that it's more stressful than I would have liked too. I knew about the procedural generation and run-based loop early on, but I still kind of expected something overall tranquil. But with storms coming on a timer in every junction, anomalies frequently overwhelming every space you need to explore, and the high stakes of potentially losing a lot of critical material, I found myself playing much more anxiously than I would have preferred, which is what I alluded to about the endgame.

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  • Pacific Drive sales cruise past 600K copies sold
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    I'm happy to say that I was one of them. Beat the game this past weekend, and have really been enjoying trophy hunting in the endgame. Without the pressure of the main story I've actually started to feel a little more freedom to take chances and be less concerned about damage and loss of resources.

    All in all, Pacific Drive has been an absolute highlight this year.

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  • Long Dark dev criticises Manor Lords for lack of updates, Hooded Horse CEO replies that not every game needs to be "some live-service boom or bust"
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    That was actually my first thought as well lol. Maybe story mode is secondary to some people who just like the survival grind, but it's the only part I'm interested in, and my attention in The Long Dark has come and gone waiting for it to complete.

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  • www.rockpapershotgun.com

    Interesting thoughts about how to define success for video games in today's market, particularly for those using early access. Lots of respect for Hooded Horse's CEO, Tim Bender, he says all the right things and seems genuine. > He describes van Lierop’s post as “exactly the kind of distorted endless growth/burden of expectations/line must go up perspective that causes so much trouble in the games industry”. He’s also unconcerned by Manor Lords falling behind its initial vast popularity, poking fun at “the apparently dark reality that some people, after enjoying their purchase of a premium, single-player title, might decide to go on and play another game (The horror! The horror!).” Headline is a little melodramatic though.

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    Weekly “What are you playing” Thread || Week of July 7th
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    Slowly coming to the end of Pacific Drive, which has been mostly great. I think I'll wrap it up at the perfect time, because I'm not quite tired of it but can feel my interest beginning to wane.

    I have also been playing Sea of Stars. I had one foot fully over the edge to give it up during its painfully slow opening, but I just barely made it long enough to get through the first dungeon and found myself beginning to admit that it was becoming fun. I can't remember the last time my feelings for a game pivoted so hard, because once it opens up it is a ton of fun. I'm glad I was able to stick with it.

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  • Weekly “What are you playing” Thread || Week of July 7th
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    I played the hell out of the first DMC back in the day. Just over and over again, even on Dante Must Die and I almost never do hard modes. Apparently I really liked the relatively toned-down gameplay and setting, and the RE-inspired tone, because I never really enjoyed 2-4 the same way (2 goes without saying).

    I largely ignored the series but spontaneously got the interest to play 5 a year or two ago. I did beat it, but it did not do anything for me. I was very glad to be done with it.

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  • Dragon Age: The Veilguard sees BioWare refocus on companions
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    With all the news coming out the past couple days about The Veilguard, I'm starting to piece together a suspicion that Bioware is picking things back up where they last had decent ideas: early to mid 2010s.

    I think Veilguard will feel like a stuck-in-time successor to Inquisition, stale by that period's standards and grossly outdated by today's, especially in the wake of Larian's enormous success reinvigorating the kind of game Bioware has forgotten how to make.

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  • Will GTA 6 live up to the hype?
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    That'd be great if it was true but there have been rumors that development largely reset when they left. Guess we'll have to wait until they release credits to know for sure.

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  • Will GTA 6 live up to the hype?
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    the devs given any reason to doubt them

    I agree that it's super early for much speculation, but Dan Houser and a few other key players left Rockstar after RDR2. He and Michael Unsworth (who I think also left the studio with Dan) were two-thirds of the GTA 5 and RDR2 writing team. Without their involvement, I fear a scenario where the core single-player narrative has less gravitas, around which much of the detail and realism of the gameplay and game world has previously resolved, and the company leans more into the success of its GTA Online style gameplay.

    I'm sure they can still be wildly successful with that formula, but it will be a huge disappointment for me personally.

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  • A look at search engines with their own indexes
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    I can't disagree. But as one facet among others, I also think "concern" is reasonably warranted in conducting a comparative assessment.

    Edit: also worth highlighting: "there's nothing wrong with being against gay marriage because it's a political opinion" is certifiably homophobic. How much responsibility Kagi's moderators bear for not removing that comment or otherwise explicitly advising that homophobia won't be tolerated is debatable, but it's not great.

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  • A look at search engines with their own indexes
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    Seems fair, in reference to Kagi:

    Unrelatedly: I’m concerned about the company’s biases, as it seems happy to use Brave’s commercial API (allowing blatant homophobia in the comments) and allow its results to recommend suicide methods without intervention. I reject the idea that avoiding an option that may seem politically biased is the same as being unbiased if such a decision has real political implications.

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  • For The First Time In A Decade, Nobody Is Working On Cyberpunk 2077
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    Shame. Shortly after it's release Best Buy was selling it for like $10, which is such a potent indicator for the state of its reputation on release. Anyway, I couldn't pass it up. I encountered tons of bugs, but they were all superficial and didn't impact the gameplay or my progress.

    I loved it. World building and atmosphere were grade A, and I even liked Johnny Silverhand and his relationship with V. Like I said in the post, I've been waiting for new game plus to replay, but I guess now I'll just dive back in without.

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  • kotaku.com

    I've been waiting for new game plus to replay, but it sounds like that just may not be in the works.

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    Weekly “What are you playing” Thread || Week of May 12th
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    Watcher Knights I think are near the top of my list. I just rewatched my recording of beating them and I was fumbling so badly lol. It's obvious I'm running with the "pure desperation" tactic rather a more skillful approach, but it finally managed to work out.

    I was addicted to exploring that world but I am satisfied with the one playthrough I think.

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  • Weekly “What are you playing” Thread || Week of May 12th
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    I was persuaded to pick Elden Ring back up despite not really feeling a pull for it, but lo and behold once I was back in I fell in deep. I never actually finished the game with my first dex/bleed-based character, so I continued making my way through Crumbling Farum Azula. I've given Malekith a couple of attempts but I'm pretty burned out on bosses at the moment. I started up a new sorcery-based character and that's been the real joy. Magic really does make the game significantly easier, and part of me wishes I'd done my first playthrough this way. But I'd beaten Demon's Souls remake not too long before starting Elden Ring originally and wanted something different.

    To fall back on when I get too frustrated, I've been playing 10tons's Undead Horde. Their game Dysmantle wound up being a major highlight the year that I played it (I really, really liked it), so I finally bought Undead Horde 1 and 2. It's not nearly as good as Dysmantle, but it's a really great, lightweight dungeon crawler. I like their vibe very much and am really looking forward to Dysplaced.

    I also gave the Saints Row reboot a try since it was free a while back on PS+ and it's really, really (really) dumb. It's also kind of fun, a little at a time. Not sure it'll hold my interest all the way through but it's nice having an open world game that's just...easy to play and asks very little of the player.

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  • Weekly “What are you playing” Thread || Week of May 12th
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    I'm further behind in Ori but I'm enjoying it greatly. I'm not a big metroidvania aficionado, but I played and loved Hollow Knight despite it's difficulty (some of the bosses really tested my tolerance for punishment). I appreciate that Ori is (so far) a more accessible game.

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  • Eurogamer: What is the point of Xbox? (Opinion)
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    They claim that entertainment companies exist "to provide that entertainment." Sure I think creative leads and the devs (especially in the games industry) are there to provide entertainment that they are passionate about. But idk if I can ever see a period where the publisher was in it for the art, despite what they may say.

    I agree with you, except that up until the early-to-mid aughts, before Fortnight, and skinner box mobile games, and the promise of persistent revenue capitalizing on addictive tendencies and FOMO, publishers believed that the best path to profit was good games. Konami, to pick the (previously) worst example, published one of the weirdest, most cinematic, ambitious, influential games of all time with Metal Gear Solid. And then, eventually, they saw a straighter, shorter path to profit.

    I am...way more personally upset about the Arkane closure than I usually get about these things. I have so much respect for what that studio created. This article is great though and gives the holistic perspective I've been looking for the past few days:

    The point here, ultimately, is that this cycle has been repeating, and repeating, and repeating, and it does not show any sign of coming to an end. Xbox buys talent, mismanages it in search of impossible scale, and cuts it loose - be that the 20-year experts of Fable, or the battle-scarred makers of Dishonored, or the invigorating new generation behind Hi-Fi Rush. Xbox's leadership clearly knows it's a problem...they have to step behind this first, surface-level layer of justification for closing studios, and get to the real cause - not the decisions themselves, but the principles that inform them. The principles that say expertise, creativity and talent are less valuable than the cost to let them flourish.

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  • kotaku.com

    Mostly from Unity: 1800 through the end of March.

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    www.zdnet.com

    Article seems pretty flawed. Relevance is a vague metric, and the author relies pretty heavily on data related to government site visitation, which seems subject to bias toward certain types of users. Market share is likely still incredibly low, but Firefox's relevance should be spiking right now due to Google's shenanigans with Chromium. The fact that like 90% of revenue for its for-profit wing is from Google is still troubling. Any alternative views out there?

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    www.polygon.com

    I regret to admit I have never played any of their games despite having Desperados 3 on my list for a while. I feel some relief on their behalf though that their closure was evidently a deliberate choice rather than a market failure.

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    www.playstationlifestyle.net

    Good news for anyone who owns this content, but the damage is certainly already done. The original news broke as I was making the transition to a Plex home Media server + vpn, and I only feel further validated for it.

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    youtu.be

    One of my favorite YouTube game critics explores every single Fallout game and their place within a collective idea of what the franchise has been and currently is.

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    https://www.metacritic.com/game/lies-of-p/

    Reviews currently trending positively in the low-80s. Also, apparently Metacritic's site design was updated at some point.

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    www.youtube.com

    Subpar CG, messy genre identity crisis, and flagrant visual references to its inspirations mar this ridiculous action flick that I owned on DVD and watched at least a dozen times as a tasteless high schooler in the early 2000s. No regrets.

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